Description
The vMON Series is a full-featured range of video monitors ideal for mobile trucks, news and transmission control rooms, production/post-production and video surveillance applications. These monitors come standard with in-monitor level metering, selectable video vectorscope/histogram, safe area and aspect ratio markers, IMD labeling, tally, and built-in color bars, as well as a variety of picture controls and productive video features such as zoom controls and focus assist.
The vMON-240-4K+ is a 24” 4K HDR monitor with 2x12G/6G/3G/HD/SD-SDI and 2x3G/HD/SD-SDI inputs and outputs. The monitor has 1000 Nits brightness. Quad-link supports up to a 4096×2160 60p signal. The 4K HDR display supports PQ(ST2084) and HLG and is a cost effective 4K monitoring choice for a variety of 4K and FHD workflows. It supports a large variety of professional broadcasting features such as Quad Split, Waveform, Histogram, Darkness Check, making vMON-240-4K+ a brilliant 24-inch monitor in 4K production workflow.
All standard frame rates and resolutions are supported from 12G-SDI, 6G-SDI, 3G-SDI, and HDMI input sources, and each SDI input has a looped output. Up to 16 audio channels may be selected for visual monitoring using on-screen bar graph style level meters. Monitoring speakers on the front panel allow the selected screen to be audibly monitored, while a 3.5mm headphone jack provides optional private monitoring.
The vMON-240-4K+ contains a vast array of Features and Benefits as listed in the table on the following page.
Features & Benefits
– 3840×2160 4K resolution, 10Bit LCD panel
– 1000 Nits high brightness
– 12 Bit Video Processing, image no delay
– 2 x 12G-SDI inputs and outputs (6G/3G/HD/SD-SDI auto detect)
– 2 x 3G/HD/SD-SDI inputs and outputs
– 4K 12G-SDI single link signal, up to 4096 x 2160 60p
– 4K signal: 2 Sample Interleave (2SI), Square Division (SQD)
– 1 x HDMI 2.0 input, 1 x SDI SFP+ module optical input cage
– 4K Mode, Quad-Split Mode, FHD single picture mode
– 4 x SDI/HDMI Quad-View: mixed inputs & frequency rates
– Free Quad-View (boarder control/window adjustment)
– Payload ID display
– Color Space & EOTF Curves Auto Setting, matching (Rec.709/Rec.2020)
– Color Space (Rec.709/EBU/DCI-P3 D65/DCI-P3/Rec.2020/Bypass)
– HDR: PQ (ST2084), HLG (1.03/1.11/1.16/1.20/1.27/1.33)
– Sony Camera Log Curves: Slog, Slog2, Slog3
– Canon Camera Log Curves: Clog, Clog2, Clog3
– ARRI Camera Log Curves: LogC/DJI Camera Log Curves: Dlog
– Panasonic Camera Log Curves: Vlog, Vlog (softroll)
– Gamma (2.0, 2.2, 2.4, 2.6), HDR Area Display
– 4K HDR Waveform, Vector Scope, Marker/Box Control Function
– 3D LUT Color calibration with ColourSpace & CalMAN
– 3rd-party 3D LUT files import (USER1/USER2)
– S1 – S8 Eight Selectable Scene Settings
– Picture Flip, Focus Assist, False Color, Zebra
– SDR and HDR comparison, Darkness Check
– Full Scan, Over Scan, Blue/Mono Only
– 16ch Embedded Audio Level Meters
– Dynamic and Static UMD Display (TSL3.1/4.0/5.0)
– 608/708 CC Closed Caption
– Key Lock, Video Freeze
– Firmware upgrade/LUT file import via USB/Ethernet
– GPI (selectable/markable windows)
– Aluminum Alloy Casing, Built-in Speaker
